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Today, Mauro will be 62 years old, with him the leftist leanings left by his revolutionary parents are probably still intact, quietly raging against the methods of current right-wing rule in his country. As opposed to Bolsonaro, fighting Coronovirus, convinced to regain a life, he would also be looking at the year his parents went on vacation.
Mauro belongs to all of us. Growing up and trapped somewhere between the old and other struggles, we all stop to look back at our lives and remember the high afternoon of football. It matters little if we were born a year or a few years later, or that after 1970, the world of football had changed forever, we still claim it, we celebrate it as our own . This is perhaps the magic of football, as an everlasting experience that encompasses all of us. It helped that this was the first World Cup to be painted in color via satellite, the images retaining their vivid appeal.
This weekend marks the 50th anniversary of that experience for the senses which also calls itself a football tournament. In Mexico-70, the winning team was not satisfied with prosecution cases as a form of football supremacy, but put on a display, instinctively seeking and finding ways to move the game into a celebration of beauty, Launched football in the realm of art. . It was the most incomparable, abstract and yet, complete.
The Maradona faithful would argue that the 1986 World Cup also stands as a spectacle. The truth is that both episodes helped Mexico Morph a footballing El Dorado for some time – a strange, romantic notion of the perfect destination for the game. There are famous stadiums and arenas here, and fans of this millennium would find it hard to believe, but few hold the eternal, organic appeal to the game as the premier temple in Aztec, Mexico. Then there are those who would claim that the Hungarian team of the 1950s was the most complete and prominent team in history. This may also be true, perhaps. Between 1950 to 1958, Puskas and his magical Magyar played just one game – the 1956 World Cup final. But it is undisputed that no team – or performance – achieved such legendary status as Brazil in 1970.
Fewer sporting events as early as 1970 have entered folklore and mythology at such a rapid pace. As an experience, as a philosophy and as a ritual, football reached its peak that summer. The yellow and blue color was seated in the minds of the world. It still revolves around sports, the gold standard for comparing other things. Imagine the art on offer when one of the greatest moments of mastery in a tournament is not a goal, but a miss. In a tough, accurate semi-final against old rivals Uruguay, Pelé sprinted to the right to meet a ball from a trusted ally, Tostão. With goalkeeper Mazurkiewicz coming out of his box, Pelé sold him a dummy for ages, just letting the ball go past him. Sent to buy a hot-dog with Uruguayan, Pelé bent over, ran to meet the free ball, and when he hit an open goal, he hit a four! The moment when Pelé left Majurkiewicz to become a football montage for eternity, t-shirts and decorating walls entered popular consciousness as artwork.
Pelé says in his autobiography, “It is ridiculous, but I miss it more than the goals I missed in 1970. In the opening game, Czechoslovakia scored the first. Brazil’s reaction was off-key and uncertain.” Is, has an ugly penalty on the target, all of them away from the goal. Yet, in all of that, seeing the rival goalkeeper away from his line, Pelé had a sharp sense of ripping the ball from the half-line. But it gave the world a glimpse of the wonders that will emerge.
Guadalajara was a humor of a fight in the summer with the defending champions from England. It would determine who would win the group but in essence it was a battle between two eras of football – one out of their way and one that was to come. England, it may be said, has never found its way into the sporting elite since 1970, but did subsequent generations do justice to the 1970s masters? The jury is out on it.
Brazil was reintroduced in 1970 under a brutal dictatorship that needed nothing less than a victory to make it fit. Pelé had to cohabit – some say, forced – out of international retirement to inspire a side that had a good mix of young and old. At the age of 30, he was in his entire prime minister, his superb musculature supporting a brilliant football brain. “I decided that I was not going to end my career as a loser,” he writes, eager for the 1962 personal disappointment and 1966 failure.
Other things also helped. Chasing all that beauty, Brazil had the foresight to understand that physical preparation was important to that practice. In the 1950s and ’60s, a small feature of their teams was leading to physical training; Brazil was the first to recruit physicians and trainers from the military to build muscle in the team. In 1970, the process reached its peak. “We jumped together, but when I landed, I could still see Pelé floating in the air,” Eduardo Gallenio quoted Italian defender Tarsio Bergich as his quote in Soccer in the Sun and Shadow, after an unforgettable final match. Quoted in.
Jairzinho would enter a game in a goal, a record that still stands. Tostão will be a little gift-giver who hands over a chocolate form nearby. A young Rivilino will emerge with a great heart and one of the biggest left legs in the game, though sadly, overseeing a great Brazilian decline in the 70s as Dutch philosophy and the German system a new attractive, modern era. I will rule football.
Pelé would confirm his place as the greatest footballer of all time, and of course, of all times. The team scored four goals in 19 and 14 of them showed that it was the conductor Brazil had envisioned. The topping would, of course, be his ‘blind’ pass – without being so much upside down – that would end in a thunderous shot for Carlos Alberto’s final goal. With the exception of Alberto and goalkeeper Felix, all nine other Brazilian players touched the ball at least once, casually advancing it towards the goal of Italy – only reaffirming the ideal of the team that This team had.
Pell talks about his almost telepathic understanding with Carlos Alberto in his autobiography: “We had a commonality … He and I knew each other well, on and off the pitch.” As Santos’s partner, the two often prayed together, and even partyed together, and on one such occasion, a desperate – and many-married – Alberto married Pelé to Brazil Asked the actress to help befriend Teresingh Sodre. Remembering Pelé, he says, “I would break up, but eventually he married her.”
“Brazil played a football worthy of the longing of its people to celebrate and yearn for beauty,” Gallino said. “Brazil was surprised: a team on the attack, playing with four strikers – Jairzinho, Tastao, Pelé, Rivalino – sometimes increased to five and even increased to six, when Gerson and Carlos Alberto Used to come up from behind. That steamer beat Italy in the final. ”
Then he said, almost as a warning, “A quarter of a century later, such audacity would be considered suicide.” This is true
For 24 years, as the world caught up with Brazil, they would sacrifice beauty for the industry and struggle on the biggest scale. Perhaps the epitome of his lost direction and lost soul, he had the Jules Rimet Trophy – which he won in such spell-binding and convincing fashion – stolen from his headquarters in 1983, never to be found. Victory would finally come, in 1994, in the most un-Brazilian way – a penalty shootout. No one at home liked to win this – it was not part of their DNA, but they had to because a whole generation never knew what should be at the top of the football world.
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