Why is Malayalam Cinema India’s only fast response to movies, not Bollywood? the film

T.Covid-19 was first officially recorded in India on January 30 last year In the city of Thrissur In the southern state of Kerala. Since then, Kerala’s handling of the epidemic has meant that it has largely left behind the brutal scenes and tragic images of the second wave of epidemics in India. The same goes for Kerala Malayalam language film industry – Right now, the most active of India’s many regional producers – young, new wave of filmmakers have made a great deal of the virus.

Where the life of Bollywood celebrities based in Mumbai has barely perpetuated this life-changing reality – the new times StoppedReleased on Amazon Prime Video, this is its only offering – Malayalam Cinema is gripped with a variety of filmmaking formats, styles and themes.

Relationships under a Microscope ... Synthesis on the Mystery - Pleasant Mysteries.
Relationships under a Microscope … Synthesis on the Mystery – Pleasant Mysteries. Image: –

For the first time director Sano Jan Varghese Archerium (who knows?), Which recently appeared on Amazon Prime Video, is about a young couple who have temporarily shifted from their Mumbai apartments to a sprawling state of Kerala where the past Has committed a complex secret and violent crime.

Putin’s Macbeth adaptation, جوجی, Titled with Malayalam superstar Fahad Fasil, it is set during an epidemic among an inactive, toxic, ancestral family of plant owners.

Freelance writer-director Don Palthara builds relationships under a microscope Santhushitant Onam Rahasam (Pleasant Mystery), About a couple experiencing an unwanted pregnancy, while its Everything is cinematic It is about a filmmaker who is imprisoned with his actor wife in a rented flat in a foreign city, who decides to spend time filming their wedding from his personal point of view.

How has Malala Cinema helped in controlling this epidemic so effectively? Despite its thriving commercial hub, the Malayalam film industry is a relatively small-scale enterprise, headed by individual producers and not involved in large studio operations like its Hindi or Tamil counterparts. “Filmmakers are quick to think ideas, find producers, and move fast on projects,” says artistic director Bina Paul. Kerala International Film Festival. Paul also says that Malayalam cinema has always been a “reaction”, responding to changing social, political and economic realities. In 2019, filmmaker-actor Ashiq Abu made a medical thriller on one side of a medical thriller called Virus., About the 2018 Nipah virus outbreak. It also featured a legendary version of former Kerala Health Minister KK Shelja, who was praised internationally for dealing effectively and sympathetically with both the epidemic and the quake. Appreciated author NS Madhavan Suggests that lockdown cinema is part of the thematic sequence. “For the past five years, there has been a trend in Malayalam cinema to focus on the small, the local world, places, communities and situations.”

Macbeth adaptation ... Joji.
Macbeth adaptation … Joji.

All this is happening at a time when the mainstream commercial Malayalam cinema, like the rest of the film industry in India, is in deep financial crisis. But in Kerala, the film industry’s use of epidemic power, resources, money, locations and technology is more ambiguous, efficient and innovative than the rest of the people in overcoming the limitations imposed by epidemics. Screenwriter Vivek Ranjit says, “India was the fastest growing in adopting code restrictions.

The rules for making lockdown movies are very simple: choose an article that is more intimate than a fast-paced space, consisting of one space – usually in a large house – with some characters and some There are hardly any mountain views. The synthesizer Onam Rasam has only two characters, a third appearing briefly at the end, set completely inside a car and filmed in three days with a camera mounted on the dashboard. After all, the cinema’s exterior scenes were filmed before the epidemic. For the insiders, Sher, Catherine was the only actor, and director Plathara acted as a personal filmmaker.

Epidemic type story … Akkarim

Plutarch says he hopes filmmakers can keep the associated cinema alive, and find creative ways to reflect our changed social, economic and psychological situation. Epidemic is now an integral part of our reality, the unforgivable part of cinema. – The most important role of cinema is to mark this important period in human history.


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